n. sean glover

In One Thick Second, a chain of records are connected by rubber bands in order to produce several layers of sound. They are looping sounds of nature, typing, sounds of people reciting letters, Morse code, and music. You hear all these sounds along with the sounds of the motor and pulleys in motion. They emerge from scraps and humble materials and exist as a group of resonances that are organized into a haphazard and fragile amorphous object. There is not a pure form that emanates from it. Instead, a multiplicity of sounds is provided from a bricolage of scraps, leftovers, and obsolesced objects.